Tag Archives: King Midas

Precious Metals – King Midas

Another single from King Midas from the Stunning Beeboy.

 

(chorus)
I’m here to shine so I bring the Precious Metals out
You want what’s mine so I bring the heavy metal out
Shell casings are silver and gold
So tell me what’s the price of your soul

(verse 1)
Swim around in my money like I’m Scrooge McDuck
Keep my number one dime piece around for good luck
And another couple dimes around just to fuck
Pull out the nickel plated when it’s time to go buck
Golden voice, golden eye, bitches love the silver tongue
Platinum touch is too much, eight seconds ’til they come
Time is money, that’s my lesson to the young
My money bought me time to be resting in the sun

(chorus)
I’m here to shine so I bring the Precious Metals out
You want what’s mine so I bring the heavy metal out
Shell casings are silver and gold
So tell me what’s the price of your soul

(verse 2)
Precious
Metals
King Midas Stay Stacking Bucks
All the way to the banks, yo, I laugh it up
Precious
Metals
The Gold Standard, the Platinum Touch
But got Iron to ratchet up

(chorus)
I’m here to shine so I bring the Precious Metals out
You want what’s mine so I bring the heavy metal out
Shell casings are silver and gold
So tell me what’s the price of your soul

Precious Metals

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Sound Off All-Stars Video

Rough animation, just a few frames, in the tradition of Brad Neely. creator of Adult Swim’s China, IL. Only it’s just Blue Line Roughs, like a basic story board animatic. Drawn in Adobe PhotoShop, imported into iMovie.

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Chibi Beeboy

chibi-beeboy

I’ve been trying to simplify the characters of the Beeboy universe for animation purposes. This Gif gig really has me inspired so, now there are these chibi/kawaii Beeboy characters. Things like this just happen. I mean they take a while to happen, but they pop into my mind and I have to share.

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Sound Off All-Stars

Getting the Beeboy project running. Making more progress than I ever have. Now there’s a brief introductory “posse cut” with the Stunning Beeboy’s main rap antagonists. Mogadishu, Thug-O-Nomics and King Midas.

Sound Off Records is kind of like the Def Jam of the Beeboy universe. My friend @gee2tha wanted to name the label Blind Jelly, for a more direct correlation, but I think Sound Off works on many levels, it works as a military chant, it alludes to that idea that something is a little wrong, or off with how the label is so successful and finally the beats knock so hard it’s blow speakers and overload your mixers, turning your sound off.

Here’s a temporary logo for Sound Off Records, to be cleaned up later.

sound off

And here’s the Posse Cut.

https://soundcloud.com/abdowell/sound-off

I went the usual suspects type record cover, because it was the obvious thing to do, a police line up with gangsta-ish rappers. It also doubles as a scale for the character models.

S-O-Allstars

Sound Off – 1, 2
Sound Off – 1, 2, 1, 2

Mogadishu, Mic Check – You ain’t running for your life yet?
Your pants wet and I ain’t pull out my knife yet

Sound Off – 1, 2
Sound Off – 1, 2, 1, 2

Thug-O-Nomics, Mic Check – Not a minor life threat
5-0 on deck and I ain’t even pull a heist yet

 Sound Off – 1, 2
Sound Off – 1, 2, 1, 2

King Midas mic check – Just got of my private jet
Wanna see me, better get your eyes checked

Sound Off – 1, 2
Sound Off – 1, 2, 1, 2
 Sound Off – 1, 2
Sound Off – 1, 2, 1, 2

 

 

 

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King Midas – Crowned Victorious

King Midas from the Stunning Beeboy Universe has little in common with the figure from legend, beyond his affinity for gold. My King Midas goes a step further, he has the platinum touch. He’s a braggadociuos rapper that is enraptured by all things that glitter and build status. Not very violent or street, but has street cred and built his reputation as a battle rapper. I’ve had a few looks for him, but I’m trying more of a cartoon style, like easy to animate with detail.  Here’s a rough character model from blue line to full color.

king midas-blue line king midas-outline

 

king midas

I made his song, Crowned Victorious by looking into the catalogs of his real life rap analogs, Kanye West and MF Doom. Along the way I stumbled accidentally on the bass line to The Boogie Down Productions classic, “The Bridge is Over,”  while hitting keys on the “piano” Threw that in the mix and sang some weird hums before landing on a heavily tuned refrain of Crowned Victorious. I thing it comes together well enough, I freestyled for eight bars keeping on the topic of what King Midas represents. I thing the record cover below would work for this fictitious artist.

midas cover

Here’s the track.

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Beeboy: King Midas and Mogadishu Logos

Just a run through for Logo Designs for the main antagonists in the first Beeboy story. Working on some art work now for a possible cover and some pin-ups to print the short story for sale around the way, maybe at local comic shops. As we know no rapper/musician/comic book character is worth much without his merch, so of course I had to hook up the villains with menacing and/or regal graphics.

For Mogadishu, as described in the story a bloodied military stencil letter M, bullet holes optional.  Showed my Lady Friend, she prefers the non perforated Mogadishu logo.

For King Midas I dug into the Pen and Pixe well and blinged him out to unreasonable levels. But it’s also there as a flat graphic for people that like to keep it simple.

Beeboy Created by Baqi Abdush-Shaheed ©

Mogadishu and King Midas Created by Baqi Abdush-Shaheed and Glenn Bryant ©

Logos TM & (C) Baqi Abdush-Shaheed aka Chuck Spears

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Beeboy Art and Comics

Here are some comic strips and character designs for Beeboy and some assorted cast members.

Beeboy and Tabi Tha Tigress © created by Baqi Abdush-Shaheed
Mogadishu and King Midas © Created by Baqi Abdush-Shaheed and Glenn E. Bryant

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The Stunning Adventures of Beeboy pt. 3

Chapter 5

I locked eyes with Mogadishu despite the chills I felt seeing how furious he was. I could hear his breathing becoming more shallow and rapid. It was a symptom of his anxiousness. His mind was moving just as rapidly. Suddenly he glanced to his right, then turned to look back at me and lunged toward me with a howl. I was sprawled on the stage before I knew what hit me. Then I heard the gunshots. Moga got off me and asked if I was alright. He told me I owed him one.

King Midas and his street team, the 14 Karats ran up in the club guns blazing. I don’t know how I didn’t notice. I must have been too focused on what Mogadishu was going to do. I felt a buzzing in my head, but I just figured the danger was coming from Moga. King Midas had it in for both of us and he wasn’t taking any chances this time. He was supposed to be here to judge the battle and it completely slipped my mind entirely once I saw what Mogadishu looked like in person, all six and a half feet and near three hundred pounds of him. I kicked Midas’ ass last week and beat him in the battle. Mogadishu and King Midas had a long-standing beef. That’s when it hit me that this battle was a set up. Midas was going to up his rep by eliminating two of his enemies at once. But Mogadishu saw it coming and I’m pretty sure he just saved my life. I did owe him one, and it was mere seconds later when I would come to repay that debt.

One of the 14 Karats jumped up to the stage with a golden knife and slashed at Moga. I kicked that fools fronts in, grabbed his arms and threw him at two of his partners that were approaching the stage. Moga nodded his head at me and cracked his knuckles. ”It’s a problem in here now, fam.” That’s all he said then he rushed at some of the remaining Karats, dispatching them quickly with world shattering punches to their faces. He was making a beeline for King Midas, who was still firing shots wildly in the club. It was surreal, some of the Karats were still coming for me and I was so ready for the ruckus.

I was a blur, my pop and lock jabs and windmill kicks were making short work of these henchmen? His crew? Other than canon fodder I really don’t know what to call them. One came at me swinging a golden pipe, trying for the back of my head. I dropped back and bent my knees like I was doing the limbo and his swing landed wide off the mark. Then I rested my hands on the ground and kicked him in the jaw. Another leaped at me with a katana. I rolled to my left picked up a microphone stand and used it to deflect the sword which got stuck in the middle of the pole. As he was struggling to remove it I tossed the stand to the side got him in an arm bar then slammed his face on the ground with more force than was probably necessary.

Mogadishu didn’t seem to be having as hard a time with these goons as I was. There were about 10 of Midas’ flunkies scattered around the dance floor of the Ziggurat club. One was lodged inside of a turned over speaker, another was shoved headfirst into the drywall. His legs were all you could see. Moga ripped this spot up and now he was lumbering toward King Midas who was trying to reload his Gloc before Mogadishu could get to him. Moga reached into the back of his pants and pulled out what I swear was a cannon. At the sight of that gun Midas dropped his gun and ran for the exit. Moga stood still raised his gun and took aim. I heard a loud crack like thunder as Mogadishu let off one shot, missing Midas but obliterating the window and blowing the passenger side door off of an SUV parked in front of the club. Midas was still running and Moga yelled out, ”You’re a dead man walking Midas. Gunning for me twice. Twice? But your bitch ass can’t shoot for shit.”

I was like, ”Yo Moga, ease up man. There are still people out there; you might hit one of them. I’ll go after Midas and, I don’t know, drag him to a precinct or something.” Moga gave me a mean scowl and said, ”Jail, nah man anything less than the emergency room is better than he deserves. Personally I’m trying to toe tag this cock gobblin’ boxer streak sun of a bitch.”

We were arguing about it long enough for Midas to get away and for us to hear sirens approaching. I said, ”I understand if you want to shake the scene man, but I’m going to give the cops my statement and try to help out here with the clean up.” Mogadishu looked at me with a doubtful smirk on his lips.

“Man, just when I was starting to respect you, you say some old punk shit like that. I respect your skills though.” Looking over his shoulder at the wreckage of the bar and the broken remnants of King Midas’ crew, Mogadishu says, “Yeah, I guess I’d better get out of here. If the cops ask, I bounced as soon as mo’ foes started shooting.”

He gives me a pound then walks up to the shot up SUV, hotwires the engine and drives off with the passenger door slamming open and shut as he heads back to Brooklyn, turning the corner to avoid the oncoming police cars. The bartender and host crawled out from behind the basement door, and seeing as I was the only rapper still there, he gave me the prize money. I take some plastic handcuff strips out of my pouches and start locking up the unconscious 14 Karat Gang before the police arrive.

What a heck of a night.

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